Friday, May 15, 2009

To Be Or Not To Be (1942)

Norweigan film poster.

To Be Or Not To Be
Director: Ernst Lubitsch
USA 1942
99 min

See it on YouTube here.


The year is 1939. A vain actor and theatre manager in Poland, Joseph Tura (played by Jack Benny, who Lubitsch had in mind when he wrote the part), slaughters Shakespeare's Hamlet on the stage while constantly struggling with his flirtatious wife Maria (played by the adorable Carole Lombard in her last role before her tragic death). All the while he's working on a play, Gestapo, satirizing Hitler. (Just like this film does. Meta?).
Soon he and his theatre group gets more serious things on their minds, as Nazi Germany invades Poland. Soon the whole tribe is pulled into a mess of espionage, traitors and impersonations of Nazis, where their acting abilities really are put to the test.
And I guess that no one is surprised to see Sig Ruman in the role of a Nazi villain. But since he's wonderful in those kind of roles, why not?


Tom Dugan's Hitler impersonation in the famous introduction scene.


Today it may not be so easy to imagine what a controverse this film caused. Ernst Lubitsch had as a German Jew moved to America in the 1920's, and had at this time made a name for himself for his stylish, inimitable comedies. Even though he at first was hesitant about the idea of this film, his ambition was to use his famous "Lubitsch touch" to bring the Americans' attention to the occupied Poland. The result was ingenious and brilliant, but shocking to the contemporary audience who didn't feel comfortable to joke about the cruelty of The Second World War. The film flopped. In countries like Sweden the film did not reach the theatres until 1947, a decent amount of time after the war had ended and the subject had cooled down.

Today, however, the greatness of this black comedy has been appreciated, and in 2006 Premiere voted this film as number one on the list of "The 50 Greatest Comedies Of All Time".



Carole Lombard talked herself into the role, that at first was meant to be a smaller comeback for Miriam Hopkins, who's career had started to slow down. The latter declined the part since she couldn't stand Jack Benny. Lombard's husband at the time, Clark Gable, had a feeling about the reception of the film and tried to talk her out of it. As one can see, he did not succeed - all to our greatest delight.

After the filming Lombard said many times that the filming of To Be Or Not To Be was the happiest experience in her life. She died in a plane crash two months before its release. Due to that, the line "What can happen on a plane?" was cut out, since it was considered to be in poor taste after the tragedy. In later restorations the line has been put in again, but no matter how hard I've tried to locate such a version, I've failed.




Scene: A collection of scenes from the film, beginning with the godforsaken "To be or not to be" speach. You have to be a great actor to act so badly.




Quotes:


Josef Tura: I went to Dobosh and told him when he advertises the new play to put your name first.
Maria Tura: Did you, darling? Oh, that's sweet of you, but I really don't care.
Josef Tura: That's what Dobosh said, so we left it as it was.

Josef Tura: [disguised as Professor Siletsky - speaking about Maria Tura] Her husband is that great, great Polish actor, Josef Tura. You've probably heard of him.
Colonel Ehrhardt: Oh, yes. As a matter of fact I saw him on the stage when I was in Warsaw once before the war.
Josef Tura: Really?
Colonel Ehrhardt: What he did to Shakespeare we are doing now to Poland.

Anna: What a husband doesn't know won't hurt his wife.

Professor Alexander Siletsky: Shall we drink to a blitzkrieg?
Maria Tura: I prefer a slow encirclement.


Carole Lombard as Ophelia. Colorized by Lolita.

Crazy Eights


Okay! Graciebird from Dreaming in Black and White (wonderful blog title, by the way) has "tagged" me for Crazy Eights. I guess it's best for me to do as thou wilt, otherwise the ghost of Aleister Crowley will come to haunt me. (Did I sleep to little last night...?)
Anyways:

8 Things I look forward to:

1. A weekend in Paris with my beau. (We've agreed on arriving in black- and white striped shirts, red scarves and berets, carrying a baguette and paint on moustasche. How about that?)
2. Money, so we can buy shelves for my precious DVD collection.
3. Next cigarette break.
4. Cruising around in the classic film bloggosphere, searching for interesting updates.
5. Colorizing some more photos of classic film stars.
6. Watching
To Be or Not to Be (1942). I have to see it today. I'm so into Carole Lombard right now...
7. Sleep. We have a 160 cm bed now, it fulfills all my needs. I'll never need to work, eat, drink or love again.
8. Buying Michael B. Druxman's "Basil Rathbone: His life and His Films" and Basil Rathbone's "In and Out of Character". They'd look pretty in my book shelf.


Good idea? Bad idea?


8 Things I did yesterday

1. Drank Corona beer on a hill in the middle of town with my beau and his best friend.
2. Watched "Charlie the Unicorn" on YouTube for the hundred and eleventh time. Still makes me hysterical and panic struck.
3. Watched Love Actually (2003) with two men. They were completely taken aback of the manly love between Bill Nighy and his manager.
4. I learned a lot about director and visual effects pioneer Ray Harryhausen of his probably most devoted fan, my friend Chrusjtjov.
5. I talked to my mum on the phone about her disturbing and abusive Finnish cousins, who broke her glasses and hit her when she was young because she couldn't understand their made-up-Swedish. Don't mess with Finnish children from the 1970's!
6. I watched a South Park Halloween special, "Pinky Eye". (God, I was such a man yesterday...)
7. Didn't eat anything but breakfast. (Why should you, when one has beer, wine and cigarettes? In a few years I will look like Charles Bukowski.)
8. Had interesting nightmares about chopping up bodies of rapists and dumping them in a lake. Later, a giant hippopotamus ate it all up. Great way to get rid of evidence.


"Charlieeeeee... Chaaaarlieeeee..."


8 Things I wish I could Do

1. Learn French, Spanish, German and Russian. And Italian. And Japanese.
2. Become the Empress of Russia.
3. Go back in time and marry William Powell or Basil Rathbone. Or both.
4. Become a film historian and host for TCM.
5. Become rich as hell.
6. Fly. And do coin tricks.
7. Reincarnate as Myrna Loy. Give me those looks, that personality and that lovely sense of humour!
8. I also wish I had the power to turn people into snails with the wink of an eye.


Let me be heeeeeer...


8 Shows I Watch

1. Malcolm in the Middle
2. South Park
3. Family Guy
4. How I Met Your Mother
5. Scrubs
6. Sopranos
7. Kenny vs. Spenny
8. House


A favourite episode of mine - the slaughtering of memes.


I tag 8 people now and they are:

1. The Classic Maiden
2. Alexis
3. Elizabeth
4. Keith
5. Samuel Wilson
6. C. K. Dexter Haven
7. Princess Fire and Music
8. Meredith


Au revoir!

Smoking women - part 1

There's no secret that I find classic actresses' smoking habits romantic, sensual and classy. Therefore I've decided to share that fascination with you through a little mini series called "Smoking women" - containing both film clips and photographs. You might see it as a sequel to my Men and cigarettes post from February.
Enjoy!


Evelyn Brent smoking a "bomber" in The Last Command (1928), directed by Josef von Sternberg. Handing her the cigarette is no other than Emil Jannings
, the strict professor Marlene Dietrich entangles as Lola Lola in The Blue Angel (1930).





Anna May Wong leans backwards in a comfortable arm chair, smoking a cigarette while waiting for Mr. Holmes (Reginald Owen) in A Study in Scarlet (1933).





Loretta Young in Born to Be Bad (1934) to the tones of My Mama Done Told Me. I love when she blows smoke in Cary Grant's face, wonderfully rude!





A scene from another Josef von Sternberg film, The Docks of New York (1928). Betty Compson, rescued from a suicide attempt by a blue-collar worker (George Bancroft), gathers her strength with a cosy bed and a lot of cigarettes. She's a real vixen, isn't she?





And lastly, for this time, the lovely Clara Bow. Smoking scenes from Call Her Savage (1932).



Wednesday, May 13, 2009

Women and mirrors - part 2

As Kate Gabrielle stated in a blog comment - it was obviously popular for classic actresses to be photographed in mirrors. And why not? An easy way to put a beautiful woman in an artistic photo.
In February I did a post called Women and mirrors, and since then I've collected a few more mirror pictures that would have fitted in there. Therefore - encore pour les femmes et les miroirs!


Greta Garbo (1905-1990)

Mabel Normand (1895-1930)

Anita Page (1910-2008)

Ann Sheridan (1915-1967)

Barbara Stanwyck (1907-1990)

Carole Lombard (1908-1942)

Veronica Lake (1919-1973)

Claudette Colbert (1903-1996)

Colleen Moore (1900-1988)


Joan Crawford (1905-1977)

Mae Clarke (1910-1992)

Marsha Hunt (1917-)

Norma Shearer (1902-1983)