Robert Mitchum with his shirt popped off, hairy and in color. Could it be better?
I've caught a cold - again. Every time there is some tiny little change in the wheather, I get a cold. I know, everyone feels sorry for me. That's because I'm suffering. Big time.
But there is a cure! Oh yes, there is a cure. Even if the effect maybe isn't too consistent. The cure spells M-A-L-E C-H-E-E-S-E-C-A-K-E.
Go fetch your drooling bucket, and have fun! Even if you don't have a cold. Like me.
Clint Eastwood looks determinated.
Wrestling Nat Pendleton in pretty underwear.
Fred MacMurray visualizes the dream of the perfect American.
Burt Lancaster is proud over his (probably painted-on) tattoo.
If every woman could have their own Tyrone Power in their backyard...
Dear Mr. Gable, oh dear...
Errol Flynn sure knows how to pose.
Hmm, maybe I need to employ a gardener... Do they all have the Montgomery Clift outfit?
Sean Connery looks like he doesn't know how to read. But he sure is handsome.
And a Rock Hudson in a towel - only. I'm no big fan of his, but if he keeps his wardrobe in that style, I guess we can get along.
... I had this poll about who was your favourite on-screen swordsman. I just realized that I never published the results! So, here they are:
The greatest loss was Henry Daniell's, with only one vote. He thanks that one voter, and tries to kill Errol Flynn out of jealousy.
Douglas Fairbanks Sr only got two votes, but he is a proud man - he won't show himself weak with a beautiful Billie Dove in his arms.
Claude Rains really thought that he would get more than three votes, and lost his sword in his despair. (Okay, I just couldn't find a picture of him fencing - so blame me!)
Tyrone Power got a well-deserved third place with four votes, and shows off with his fencing skills in his favourite costume. (I bet no one thought that Tyrone wouldn't make it into the top-three, huh?)
Even though he almost always played villains, Basil Rathbone still fixed the second place with five votes. And why not, when he is so inspired that he practises at home?
With no less than 16 votes, Errol Flynn was the obvious winner of this contest. Look how satisfied he is!
"Never regret anything you have done with a sincere affection; nothing is lost that is born of the heart."
- Basil Rathbone
I will find myself in a quarantine for the next week or so (don't ask me why, I'm just shabby). That time I will try to make move faster by the inspiration of Raquelle from Out of The Past's Norma Shearer week, which was wonderfully entertaining to read. I will watch a great deal of films with one of my absolute favourite actors, which I think have been really underestimated. I present to you the first post of my Basil Rathbone week, lasting from Wednesday 8th to Wednesday 15th!
Basil Rathbone was born Philip St. John Basil Rathbone to English parents in Johannesburg, South Africa, June 13th 1892. His father, Edgar Philip Rathbone, was a mining engineer and descendant of the Liverpool Rathbone Family, which traces back to the 17th century. His mother, Anna Barbara née George was a violinist. Basil was the eldest of three children.
The Rathbone family had to escape South Africa for England shen Edgar Philip Rathbone was accused by the Boers of being a British spy, near the onset of The Second Boer War at the end of the 1890's. In his autobiography Rathbone admits that he never knew if his father was guilty of the accusations or not, he never asked.
Little Basil and his sister Beatrice.
The three young Rathbones: Basil, John and Beatrice.
Rathbone grew up in England and attended the Repton School, located in the village of Repton in the county of Derbyshire, in 1906-1910. He wasn't much interested in school, but instead made progress in sports, and after some time found his love for acting. He was called "Ratters" by his school mates.
Repton School, Derbyshire, England.
When he left school he expressed his devotion for the theatre to his father, who tried to persuade him to choose another profession. They agreed that Rathbone first should work for a year in an insurance company to try to forget his acting dreams, but after the agreed year Rathbone got some help from his cousin Frank Benson (an accomplished actor) to get in to the theatre world. He had, however, to earn his own parts. He was an obvious talent, because soon he was playing all the juvenile leading characters in the number one company.
In October 1914 he married fellow actress Marion Forman. They met while playing in several Shakespeare plays and fell in love with each other. Next July, 1915, their son Rodion was born.
Early in the year of 1916, Rathbone left the stage to attend World War I. When he waved goodbye to his mother at the Victoria Station, that would be the last time she saw her. She died in 1917. His brother John would later die in the war, also serving Britain. Rathbone joined the London Scottish Regiment alongside some of his future acting colleagues Claude Rains, Herbert Marshall and Ronald Colman. He later transferred with a commission as a Lieutenant the Liverpool Scottis, 2nd Battalion, where he eventually attained the rank of Captain. In a 1957 interview Rathbone recalled the story of how he disguised as a tree to gather information from the enemy.
"I went to my commanding officer and I said that I thought we'd get a great deal more information from the enemy if we didn't fool around in the dark so much, and I asked him whether I could go out in daylight. I think he thought we were a little crazy. I said we'd go out camouflaged - made up as trees - with branches sticking out of our heads and arms . We brought back an awful lot of information, and a few prisoners, too."
Read about Lt. Philip St. John Rathbone in the London Gazette, 1918. (Click on it for higher resolution.)
After the war and the loss of two close family members, Rathbone picked up his acting career and performed on Stratford-upon-Avon and in London, getting the enviable Shakespeare parts of Romeo in Romeo and Juliet, Cassius is Julius Caesar, Ferdinand in The Tempest and Florizel in The Winter's Tale. During the 1920's Rathbone toured with many parts like these on the British stage, and in 1923 he came to New York City to appear in The Swan.
When in New York, Rathbone met and fell in love with the scriptwriter Ouida Bergère. His marriage with Marion Forman was in pieces, but he needed a divorce to be able to re-marry. For that he went back to England, where he also saw his father for the last time. His father died in 1924. Rathbone and Ouida married in 1926, a marriage that would end with his death in 1967. In 1939 they adopted a child they named Cynthia.
Basil Rathbone and the love of his life, Ouida Bergère.
On their wedding day, April 18th 1926. Ouida looks like a real flapper!
Even though the theatre was his main pastime during the 1920'a, Rathbone appeared in several films, although his parts usually were very small. His first notable role was as Lord Arthur Dilling opposite Norma Shearer in The Last of Mrs. Cheney (1929) (post on it here). The film was a success and made the film producers interested in the slender, articulate British man by the name of Rathbone. In the year of 1930 Rathbone made no less than seven films, including the leading role in The Bishop Murder Case, playing a detective wuite similiar to his future Sherlock Holmes films. (Post about them here - Elementary, my dear Watson)
Basil Rathbone and Norma Shearer in The Last of Mrs. Cheyney (1929).
The Rathbone couple was soon known in Hollywood for throwing big, lavish parties with many Hollywood celebrities invited. One incident I actually read about in Errol Flynn's autobiography was quite amusing. Flynn had gotten extremely drunk at a Rathbone party, followed a girl home and passed out on her sofa. When the girl's father had found him in the morning he had picked up the unconcious Flynn, drove him away and dumped him on the Rathbone lawn. When Basil and Ouida later had breakfast on the patio, their gardener (unaware of their guest) had put on the sprinklers. Who did jump up from the grass, but a hung-over Errol Flynn! He confusingly wished the Rathbones a "good morning" and then headed home.
Errol Flynn and Basil Rathbone in Captain Blood (1935).
Basil Rathbone and Errol Flynn in The Adventures of Robin Hood (1938).
Rathbone made a name for himself in Hollywood by playing sofisticated, suave villains in costume dramas and swashbucklers such as the abusive stepfather Mr. Murdstone in David Copperfield (1935), the distant husband of Greta Garbo in Anna Karenina (1935), Pontius Pilate in The Last Days of Pompeii (1935), Errol Flynn's enemy Levasseur in Captain Blood (1935), Marquis St. Evremonde in Dicken's A Tale of Two Cities (1935), once again Errol Flynn's enemy Sir Guy of Gisbourne in The Adventures of Robin Hood (1938) and Captain Esteban Pasquale in The Mark of Zorro (1940) (see film clip below).
"I enjoyed swordsmanship more than anything because it was beautiful. I thought it was a wonderful exercise, a great sport. But I would not put it under the category of sport; I would put it under the category of the arts. I think it's tremendously skillful and very beautiful. . . . The only actor I actually fought with on the screen was Flynn, and that's the only time I was really scared. I wasn't scared because he was careless but because he didn't know how to protect himself."
Rathbone as Karenin in Anna Karenina (1935).
Rathbone in a top hat in David Copperfield (1935).
The famous swords fight with Tyrone Power and Basil Rathbone in a coloroized version of The Mark of Zorro (1940). A good example of what a terrific swordsman Rathbone was. The dialogue is superb!
To most people, Rathbone is remembered for his portrayal of the famous crime solving Sherlock Holmes. His first Sherlock Holmes film was The Hound of the Baskervilles (1939), in which Holmes and his partner in crime Dr. Watson (Nigel Bruce) do not enter the screen until the second part. When the film was a success, thirteen more of them were made, often with evil nazis as the villains (very common in films made during the Second World War to encourage the Allies). The last Sherlock Holmes film with Rathbone as the genius was Dressed to Kill (1946).
Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. Watson.
In 1946 Rathbone's film and radio contracts expired, and even though he was very successful and wanted by several producers, he refused to sign any new contract. He longed for the theatre, and went back to New York with Ouida to continue his career on stage.
At first Rathbone had a hard time to get any good parts, since everyone now connected him with Sherlock Holmes. In 1947 he finally was offered a good part, the role of Dr. Sloper in "The Heiress". He found the character fascinating and was delighted. The play was a Broadway succes, and in 1949 the play was made into a film with Olivia de Havilland and Montgomery Clift. He applied for the same role he had been playing on stage, and was crushed when the part instead went to Ralph Richardson.
In 1951 Rathbone felt ready to play Sherlock Holmes once again, now in a play written by his wife Ouida. Unfortunately the play got mediocre reviews and closed after only three performances.
"The Heiress" was Rathbone's last major success. He was however never really down on his luck during this time. He made a lot of television plays, sound recordings and appeared in a commercial here and there after taste. He also toured the country with a one man show called "An Evening with Basil Rathbone", in which he spoke to the audience about his experiences and gave dramatic readings.
Basil Rathbone presenting the Leisy Beer Theatre, enjoying a Leisy Beer!
In the 1950's he went back to Hollywood for a few horror films, for example The Black Sleep (1956) and Tales of Terror (1962). Some of these roles were he not very proud of, but his wife Ouida spent money faster than he could earn them, so he made a lot of films only for the money.
In 1967 Basil Rathbone suffered a heart attack and passed away. He was 75 years old and was buried in Ferncliff Cemetary in Hartsdale, New York.
An extract from a 1959 interview with Rathbone.
"When you become the character you portray, it's the end of your career as an actor."
"Leaving Fox was like leaving home at 28; I'd been there since I was sixteen."
Linda Darnell on 20th Century Fox
Linda Darnell was an American film actress, born Monetta Eloyse Darnell in Dallas, Texas in October, 1923. She was one of five siblings of a postal clerk and his wife. In 1934, at the age of eleven, she began to model clothes, being adressed as 16 years old. When Linda was 13 talent scouts from Hollywood came to Dallas, and her mother encouraged Linda to go to the audition. After a short look at Linda and her acting, the studio took her to California for another audition. However, her real age was revealed and Linda was sent back home, told to come back when she was 15.
Linda Darnell as a clothes model.
Two years later Linda went back to Hollywood, and her career was up and running. Her film debut was in Hotel for Women (1939) with Ann Sothern, an actress she would work with once again ten years later in Joseph L. Mankievicz's A Letter to Three Wives (1949). At the time she was 16, and the youngest leading lady in Hollywood history. She made another film in 1939 called Day-Time Wife, the first of four films she would star in opposite Tyrone Power. (The others are The Mark of Zorro and Brigham Youth from 1940 and Blood and Sand from 1941.)
Poster for Day-Time Wife (1939) with a 16 year old Linda Darnell and Tyrone Power.
American poster for The Mark of Zorro (1940).
Hir third film Star Dust (1940) brought Darnell up to the heights of the other Hollywood stars. She plays a girl named Carolyn Sayres that signs a Hollywood contract, but is later rejected because she is concidered to be too young. (Does that sound familiar...?) Her following films were not less popular, and soon she was often referred to as "the girl with the perfect face". Next year she starred in the Technicolor film Blood and Sand (1941) opposite Tyrone Power and Rita Hayworth. A scene were she confronts the seducing Hayworth follows:
In 1945 Darnell starred in Hangover Square with Laird Cregar and George Sanders. The film is described on IMDb to have been a "box-office bonanza". The same year she made a film noir with Dana Andrews as the leading man, Fallen Angel. A scene from the film is included after this paragraph, and it is really interesting to see how different her character in this film is compared to the timid and innocent woman in Blood and Sand. Next year she put a great mark in cinema history, playing Chihuahua in the western classic My Darling Clementine, co-starring Henry Fonda as Wyatt Earp and Victor Mature as Doc Holiday.
Linda Darnell and Dana Andrews in Fallen Angel (1947).
In 1947 Darnell reached the top of her career when playing opposite Cornel Wilde and George Sanders in the 17th century drama Forever Amber, where she also appeared in flaming red hair in contrast to her famous jet black.
In the following scene from Forever Amber, that I managed to hunt down (the sound is terribly unsynchronized, but it'll do!), we see Linda Darnell as Amber St. Clair, dancing with King Charles II played by the always superb George Sanders. Cornel Wilde appears as Amber's husband, Bruce Carlton.
"You're mind is like your wardrobe, madame. Many changes and no surprises."
Linda Darnell in Forever Amber (1947).
Linda Darnell made several more films, among others the earlier mentioned A Letter to Three Wives (1949) and Blackbeard, the Pirate (1952), but her blossoming career was on it's way to die. One of the reasons was Darnell's drinking problem, which she had had during almost all of her career.
Her latest screen appearance was in the 1965 western Black Spurs. She was married and divorced three times. Her death was a sad but heroic story. 10 April, 1965 Darnell was dining at the house of her friend and former secretary. Darnell's early film Star Dust (1940) was being shown on television that night, and she saw it. However, during the night something caught fire and everyone had to evacuate the house. When Darnell noticed that one of her friend's children was missing she ran into the house again to find the girl. The child had managed to escape, but Darnell burnt 90 % of her body, dying from her injuries at the hospital the next day. At that time, at 41 years of age, Darnell had filmed a total of 46 motion pictures.
Linda Darnell on the cover of Screenland in October, 1948.
