They need no friggin' make up...

The moment I wake up

Before I put on my makeup...

I guess there's a lot of glamor in the morning routines of every beautiful actress.

There was however no glamor surrounding me this morning, after only one hour of sleep. Because of the lack of beauty sleep, I am now so distraught about the bags under my eyes that I simply have no inspiration to watch a movie and write a review about it. You will therefore have to do with some more pictures from my hard drive, and pretend that I look as glamorous as they do.

Andrea Leeds.

Ava Gardner.

Carole Lombard. I need that make up table.
Any millionaire volunteering to be my sugar daddy?

Ginger Rogers.

Yikes! Jean Harlow also has a table devoted to face paint!

Mae Murray brings her portable make up chest.

Marilyn Monroe practices her seductive gaze,
while adding another ounce of lipstick.

Marsha Hunt.

What the hell - Miriam Hopkins also has a make up table!
It's not fair! Not fair at all. I need money.

Sophia Loren, with lovely 1960's cat eyes.

Well, this is about how glamorous I think I looked this morning.

Poll's closed #7 and #8

Due to my apartment switch I'm a little behind with my poll results - I beg your pardon for that.

Therefore I will display the results of my last two polls, and then start another one right away!

Poll number seven was about your favourite Sherlock Holmes films starring Basil Rathbone.

Since there were no less than 14 of these films, the votes were quite scattered. All films got one vote each, except for the first and second place. The second place is shared by:

The Hound of the Baskervilles (1939) and Sherlock Holmes Faces Death (1943), with 14 % each of the votes.

And the award goes to...

The Spider Woman (1944) with 21 % of the votes. Isn't Gale Sondergaard wonderfully evil?

***

Poll number eight was your favourite Lon Chaney film. Exciting, huh?

All positions in this poll are shared! Sharing the third place, with 6 % each are:

The Ace of Hearts (1921), The Hunchback of Notre Dame (1923), Shadows (1922) and The Penalty (1920).

The second place is shared by three great Chaney films, being:

The Blackbird (1926), Laugh, Clown, Laugh (1928) and Chaney's only talkie - The Unholy Three (1930).

And the first place is split between the two, probably most legendary, Chaney films:

The Phantom of the Opera (1925) and The Unknown (1927). You've got a wonderful taste, people!

May I give to you the famous unmasking scene from The Phantom of the Opera?

"Feast your eyes - glut your soul, on my accursed ugliness!"

Nomads of the North (1920)

Nomads of the North

Director: David Hartford

USA 1920
78 min

Nomads of the North is a heart tearing melodrama, with a lot of moments of comic relief, set in a little village called Port Forest O'God, "God's great wilderness fifteen hundred miles North and West of Montreal".

The plot is built around a classical triangle drama (or discussingly quadrat...) with a lot of hand waving actors. But I feel that the melodramatic, old-fashioned acting style cools off toward the second part of the film, and leaves you with an all-positive feeling about this film. And the photography work by Walter L. Griffin is really amazing.

This is another of my screenshot filled review posts, as I bet you've already scrolled down to see. I hope you enjoy it! I'll start describing the plot (I won't reveal the exciting ending) with the characters. The personality descriptions were so fantastic in the film that I simply quoted them:

"Duncan McDougall, Hudson's Bay Company Factor.

A tiger of the old regime, still ruling his primitive domain with a hand of iron and a heart of stone." - Melbourne MacDowell

"Bucky McDougall, his son.

A serpent polished with the veneer of years spent in Montreal, the deadliest and most treacherous of all the McDougall race." - Francis McDonald

Nanette Roland (Betty Blythe). The village beauty, who is adored by every single man.

"Corporal Michael O'Connor of the R.N.W.M. Police." - Lewis Stone

"Andre Roland, father of Nanette, fighting heroically his last great fight - against death." - Spottiswoode Aitken

The first dramatic situation appear soon.

Bucky follows Nanette to her mother's grave, where she was about to lay some flowers, only to violently try to kiss her (a scene that can't be read in any other way than a rape attempt). When she arrives back to her father's cabin to tell about the horrible event, the visiting town priest calmly tells her that "Love is impulsive, my dear. He did not mean wrong."

Remember that, dear female readers!

"Black Marat, a whiskey-runner, up from "civilization" with a cargo of smuggled fire-water."

We see Bucky McDougall entertain a friend over a bottle of forbidden liquid.

Nanette has promised to Bucky if she finds out that her great love Raoul (Lon Chaney) is dead. He and Black Marat decides to trick her, Marat telling her that he has seen Raoul die. Everything is allowed in love and war, right?

"Three hundred miles further north, Raoul Challoner, the "dead man", twelve months over-due from the edge of the Arctic Sea."

During the way he has picked up two friends - a puppy named Brimstone and a baby bear (who's mother he had had to kill in order to avoid starvation) names Neewa.

Lon Chaney is obviously the definition of "hardcore". He shaves against the hair direction with a knife!

"In the days that follow, Neewa and Brimstone face hunger and adventure in the big wilderness."

After a canoeing accident, Raoul is separated from Neewa and Brimstone. Before they find their way back to each other the animal duo have a funny little adventure of their own, facing the "monsters of the forest"together (they are hold together by a leash) and even have a couple of lines!

After an exhausting travel, Raoul arrives to his village, only to find out that a wedding ceremony starring his beloved Nanette and the McDougall brat is being performed that same moment. He arrives too late, but the newly wed wife doesn't care - throwing her arms around her dear Raoul when she realizes that she has been lied to.

Bucky McDougall and his companion Black Marat won't leave it at that. They soon start a fight with Raoul, ending with Raoul accidently killing Black Marat. He is thrown into a dirty cellar by the McDougalls until the police arrives. The description of his prison cell:

"The Fort O'God dungeon - a relic of the old days when Factors were kings."

Nanette toughens herself up a bit and goes out in the rain storm to rescue her lover from the McDougalls. After Raoul has been released, he and Nanette put the handcuffs on the McDougalls instead and run away together heading north.

Does anyone believe in the moustache to the left?

Three years pass and our beloved couple have built themselves a cosy little cottage in the northern woods. Neewa and Brimstone has grown and a baby has arrived. What a paradise!

However, Bucky McDougall eventually finds his way to their home to claim his bride by law. Raoul is out in the woods at the time and can't help out, but Neewa and Brimstone show to be of use. Bucky is chasen out, but returns with Corporal O'Connor who handcuffs Raoul to bring him back.

How is this going to end well?

As if the situation wasn't bad enough, a forest fire breaks loose and threaten the lives of everything living there, including our heroes.

And now I won't reveal any more.

I think you can agree with me on my photography opinions when you see the screenshots above. I can't imagine how much work it must have been filming all animals and the scenery.

 

The forest fire was really dramatic. I read that both Betty Blythe and Lon Chaney were burnt during the filming when a blaze unexpectedly popped up and blocked their escape. Fortunately, a tunnel had been built before, for situations like that, through which they could be saved. They had however have to stay in a hospital for ten days, postponing the continued shooting of the film.

The forest fire scene was prepared by building up a "phony forest" on the Universal lot, with fake trees trimmed with natural leaves, planted in the ground, barked and painted. They used six cameras for that scene!

I'll end this post with a nice film poster I found. Notice how much room the actor's names are taking up?

Blogpost # 100 - What a penalty!

Yes, I just saw that this is my 100th post on this classic film blog! And what could be more suiting than dedicating it to a Lon Chaney masterpiece like The Penalty (1920)?

The Penalty

Director: Wallace Worsley

USA 1920

90 min

See the film on YouTube: link

Lon Chaney appears in his first starring role as the double amputee Blizzard, who had his both legs unneccessarily amputated after a car accident as a boy. The incompetent Dr. Ferris (Charles Clary) has since then become a respectable doctor, while Blizzard has grown up to be the king of the underworld longing and planning for revenge.

This film is fantastic, and works as well today as it did almost 90 years ago. The plot has many interesting levels, the sexual and sadistic undertones are significant but yet only a little more than indicated. And the Hollywood kisses? Oh, they are there, but they are not for weak girls! Chaney's brutal kisses send shivers up and down my spine.

Towards the end there's a pretty interesting logical twist of the story. Some people have expressed disappointment of it, but I will not. It fixates the story to reality, and takes no glamour away from Chaney's peaks of evil. At least I am satisfied!

The version on YouTube has a new, modern soundtrack to it. It's freaky and disturbing in many ways, but I still think it works. This film itself is dark, freaky and disturbing - and a masterpiece. Chaney really set the level for upcoming characters of his. After The Penalty he made more films with Wallace Worsley - The Ace of Hearts (1921), A Blind Bargain (1922) and the legendary film adaption of The Hunchback of Notre Dame (1923).

As I mentioned in an earlier post, Chaney refused any special effects offered to make him look like and amputee. He strapped his legs back in a painful position and walked on his kness on self-constructed leather harnesses. The pain was so intense that he only could stand it for a little more than ten minutes of shooting at a time. But still - the result is more convincing than any modern special effects ever could achieve!

Originally, there were actually a footage of Lon Chaney walking down some stairs (to show the audience that he wasn't a real amputee) put onto the end of the film, but that sequence was removed for the 1926 release and was lost after that.

It is amazing that you can be able to see masterpieces like The Penalty on a popular site like YouTube. I love seeing that cultural growth is encouraged, and I hope desperately that no medieval film corporation sues them for copyright infringement or anything like it.

I'll share the first part (1/10) of the film with you here:

Quotes:

Blizzard: Don't grieve, dear - death interests me.

Barbara Ferris: Why do you live in the underworld?

Blizzard: When Satan fell from Heaven he looked for power in Hell.

Lichtenstein: It's always Blizzard - that cripple from Hell.

[To his working women]

Blizzard: By the way, Barbary Nell, who strayed from us, now sleeps upon a marble slab -- [laughing] -- in the morgue."