Showing posts with label Henry Mancini. Show all posts
Showing posts with label Henry Mancini. Show all posts

Monday, September 7, 2009

Days of Wine and Roses (1962)


Danish film poster (transl. "Hectic Days").


Director: Blake Edwards
USA 1962
117 min
Starring: Jack Lemmon, Lee Remick, Charles Bickford and Jack Klugman, among others.

See it on YouTube here.



Joe Clay (Lemmon) is a PR executive with a taste for bottled ethanol, who meets a pretty secretary, Kirsten (Remick, in what must be the best role of her career). After an unpleasant start, based on a misunderstanding from Joe's side, they eventually fall in love and get married. Kirsten, who at first never touches alcohol, is convinced by Joe that booze is the essence of life, and pretty soon their relationship is a ménage à trois with the whiskey bottle. (Do I use that expression too often? I happen to like it!)

After having a baby together, their relationship starts to depend more and more on huge amounts of alcohol, and one day (after having been fired from more than one job), Joe realizes that he has become a bum. Together, Joe and Kirsten tries to start a new, sober life together. They move in with her brusque father (Bickford) in the country and works hard. But it just seems a little too easy to have "just one more", and we get a frightening freakout scene with Lemmon desperately trying to find a hidden bottle in a greenhouse to top that off.

From this moment on the couple struggle to get up from the rock bottom, but someone is always wobbling and seem to bring the other one down too. Joe attends AA meetings, but Kirsten is too proud to admit that they have a problem.





This is an extremely painful film to see, and I will say the same thing as I said about mental illness and The Snake Pit [post] - those who will feel most for this film, are those who have seen alcoholism in close-up. They will immediately get uncomfortable at the classic excuses, the unworthy behaviour and helplessness that comes with it.

Jack Lemmon gives an incredible performance as Joe Clay - I was completely shocked. It was the first non-comedy film I ever saw him in, so you can imagine. It reminds me of when I saw Jim Carrey in The Truman Show (1998), not to mention Eternal Sunshine of the Spotless Mind (2004). The experience is almost surreal, and to see a comedian show his dramatic qualities makes you appreciate their comedy more - they've got something to back it up with.
I also need to highlight Charles Bickford as the grumpy but concerned father, and Jack Klugman as Joe's AA mentor. (You have probably seen Klugman before in 12 Angry Men, 1957, as "Juror #5".)


Trailer: Interesting trailer, including a special appearance by Jack Lemmon - waving a cigarette and telling us about how much he believes in this movie.




I surprisingly read a lot of complaints about the dramatization of alcoholism in Days of Wine and Roses, and that's where I go back to the "recognition argument" above. Some person answered one of the whining b*tches on the IMDb message board with the simple statement:
"You've obviously never hit rock bottom."
I couldn't have said it better.

Jack Lemmon was (rightfully so) nominated for an Oscar, and so was Lee Remick. They were however robbed by Gregory Peck for To Kill a Mocking Bird and Anne Bancroft in The Miracle Worker. But the competition was pretty rough, in this case. There was however Academy Award win, and that was for the title song "Days of Wine and Roses" by Henry Mancini (music) andJohnny Mercer (lyrics).




Interesting trivia: (I'm lazy, I'm quoting directly from IMDb!)

The cast and crew were very concerned that the bleak ending would be changed. Director Blake Edwards recalled for Entertainment Weekly magazine that studio head Jack L. Warner wanted a lighter ending, but he came into a screening with a very attractive date who blasted the decision. Warner reluctantly gave in. In addition, Jack Lemmon purposely flew to Paris after filming had wrapped so he would be "unavailable" for re-shoots.

I love when an actor concerns so much about his work, that he is willing to travel continents for it! After having watched this film I have gotten a deep respect for Jack Lemmon.


Jack Lemmon.

Lee Remick.

Saturday, September 5, 2009

Penelope (1966)


Director: Arthur Hiller
USA 1966
97 min
Starring: Natalie Wood, Ian Bannen, Dick Shawn and Peter Falk, among others.

See it on YouTube here.



Penelope might not be a milestone in motion picture history, but it sure is a great example of the charming mainstream movies that were made in the 1960's, and one of the better ones in that category too. Think How to Steal a Million with Audrey Hepburn and Peter O'Toole from the same year.

This Natalie Wood vehicle beghins with the opening of James B. Elcott's (Bannen) bank, who proudly claims that money is more safe within the walls of his bank than if the Loch Ness monster itself had guarded it. Within a few minutes, the bank is being robbed by an old woman, who is soon revealed to us being Elcott's wife Penelope (Wood) in disguise.

Why did she rob the bank? Being the bank managers wife she certainly don't have any financial troubles. Penelope seems awefully pleased and relaxed about the robbery, changing outfits and wigs during taxi rides as if it was a childhood game of hers. During psychology sessions, with the eccentric and rather nutty Dr. Gregory Mannix (Shawn), Penelope's past is revealed through flashbacks, and an explaination to why she likes to steal begins to reach the surface.


Funny how hard it is to find anything but
black and white photos from a color film...



There isn't much to say about this film when it comes to analysis. This is pure entertainment, and it succeeds in its purpose. If you want to see Natalie Wood in different gorgeous 1960's outfits (what man or woman wouldn't?), watch it. Want an hour and a half light, but not stupid, entertainment? Watch it. But if you want Citizen Kane, look somewhere else.

As a little sidenote, I just realized something I actually like better in newer films than in older ones (!) - the development of entertaining introductions to films. Penelope is a lovely example of that. Even before the film has started, you have the film's theme stuck in your head.
"This... is... Penelope..."
See them for yourself, and tell me you don't feel like making a cup of tea, wrap yourself up in a cosy blankett and depart from this world for a little while!





And since I want to use some of the pictures filling my computer, here's Miss Wood!