Grand Hotel (1932) + Extras

Grand Hotel

Director: Edmund Goulding

USA 1932

112 min

I just re-watched this pre-code masterpiece as the sky opens and releases an Atlantic Ocean outside. A not too inconvenient experience - especially when I'm accompanied by the newly purchased Mick Lasalle book "Complicated Women - Sex and Power in Pre-Code Hollywood" on my cigarette breaks.

So anyway. Besides having five of MGM's greatest stars in the leads, having an ingenious script by William A. Drake (original novel by Vicki Baum), Grand Hotel also offers a feast for the eye by the enchanting cinematography of William H. Daniels (having photographed other Garbo vehicles such as Anna Christie, Mata Hari, Queen Christina, Anna Karenina and Camille).

Scene: The Baron's (John Barrymore) first encounter with Flaemmchen (Joan Crawford) is a perfect example of the magnificent camera work in Grand Hotel. Look how she constantly blows smoke in the Baron's face - not too respectable!

I won't go into the plot too much, for two reasons, being; just a few words about it wouldn't do it justice, and you don't need to know more than that Grand Hotel is a witty drama taking place in (what else?) the fancy Grand Hotel.

Hollywood veteran Lewis Stone, as doctor Otternschlag, couldn't be more wrong (and yet strangely accurate...) when he as both an introduction and a final statement to the film states:

"Grand Hotel... always the same. People come, people go. Nothing ever happens."

And I must say that I am quite impressed by the extra material on the Warner Bros DVD edition of the film. Aside from a short documentary on the film, there are amazing film documents from the Grauman's Chinese Theatre premiere of Grand Hotel - with Conrad Nagel responsible for all the movie stars checking in at the film theatre!

And there aren't quite a few of the stars, neither. Aside from Crawford (with husband Douglas Fairbanks Jr), Lionel Barrymore and Wallace Beery from the cast, "Mr. and Mrs. Irving Thalberg" appear, in the company of Clark Gable. Also Jean Harlow, who states that she can't write with gloves on, handsome Robert Montgomery and the film industry mogul Louis B. Mayer, among others.

Well, what's the use of me telling you about it? Take a look for yourself here:

Another funny special feature is the 18 minute long Grand Hotel parody Nothing Ever Happens (1933), which is as hilarious as it seems hallucinogen inspired. Witty spoken songs mashed with Busby Berkeley girls, who simultaneously throw their legs in the air whether they are at the hotel desk or the busy kitchen.

The actors are no famous, and most of them only made about three or four pictures in total, but that only adds to the refinement of the famous actor/actress mockery. Greta Garbo's ballerina Grusinskaya is simply called "Madam", and the baron is simply "The Baron", while the other characters are wittingly re-named as Scramchen (Flaemmchen), Prizering (Beery's Preysing), and my favourite; Waistline (Lionel's Kringelein).

In short, it's a comical little gem! And have I been so nice as to let you watch it? Of course! It's totally bizarre:

Quotes

Grusinskaya: I want to be alone. I think I have never been so tired in my life.

Otto Kringelein: Wait! You can't discharge me. I am my own master for the first time in my life. You can't discharge me. I'm sick. I'm going to die, you understand? I'm going to die, and nobady can do anything to me anymore. Nothing can happen to me anymore. Before I can be discharged, I'll be dead!

Dr. Otternschlag: Believe me, Mr. Kringelein, a man who is not with a woman is a dead man.

Preysing: I don't know much about women. I've been married for 28 years, you know.

Grusinskaya: I don't even know your name.
Baron Felix von Geigern: [laughs] I am Felix Benvenuto Freihern von Geigern. My mother called me "Flix".
Grusinskaya: [joyously] No! Flix! Oh, that's sweet. And how do you live? And what kind of a person are you?
Baron Felix von Geigern: I'm a prodigal son, the black sheep of a white flock. I shall die on the gallows.

Time to let you enjoy some colorized work of mine - I've been a little cheap on them lately!

The Divorcee (1930)

The Divorcee

Director: Robert Z. Leonard

USA 1930

82 min

From The Forbidden Hollywood Collection - volume two.

The film begins with a New York "in-gang" spending a pleasant time in a cabin in the woods. Ted and Jerry (Chester Morris and Norma Shearer) are young and in love, and soon they pronounce they are engaged. Most of their friends are thrilled by the surprise (including an unbelievably charming Robert Montgomery as Don and Florence Eldridge, one of the Thirteen Women, as Helen), except for Paul (Conrad Nagel) who in secret always have been in love with Jerry. (God, that was a long sentence. Really kafkaesque!)

When it gets time to leave the cabin, Paul has gotten so drunk that he in a shockingly horrifying scene wrecks his car, the accident causing one of the women, Dorothy (Judith Wood), to become totally disfigured. Out of pity, Paul marries her by the same time of Ted and Jerry's marriage.

Chester Morris and Norma Shearer in the leading roles.

We jump in time. Ted and Jerry Martin proves to be happily married, but on the night of their third anniversary Jerry finds out that Ted has been unfaithful to her. Ted is going away on business and has no time to explain the situation more than "it didn't mean anything at all". Feeling betrayed and disillusioned, Jerry goes out for a night on the town with her friends and eventually end up in the beautiful Don's bed.

When Ted gets home from his business trip, Jerry explains to him that she has "balanced their accounts", and Ted gets furious. After having shown up drunk and crashed the wedding party of one of their friends, Ted leaves Jerry and they seek for a divorce.

We once again take a leap in time, to the time where the divorce has been finalized. Jerry is devastated, but tries her best to feel the greatness of being single again. But no matter how many men she meet and charms, she only realizes more and more that the divorce was a mistake.

Norma Shearer with Conrad Nagel.

The Divorcee is without a doubt one of the best pre-codes I've seen (competing violently with Red-Headed Woman and Baby Face), and the Norma Shearer film I've seen that her acting is at her best.

When casting the film, the MGM producers doubted that Shearer would suit the part - until this time she had mostly played "proper" characters. Interestingly enough, producer and Shearer's husband Irving Thalberg was the one who doubted her most. To prove them wrong, Norma did a photo shoot where she posed provocatively in lingerie - and after having seen those photos, all doubts about Shearer being able to play sensual women were gone with the wind.

Shearer received the Academy Award for Best Actress for this role, as well-deserved.

Norma with the irresistible Robert Montgomery.

At the time of The Divorcee's release, the subject of divorce was a sensitive issue. When the Hays Code was finalized in 1934, this film would be unthinkable. I therefore found the introduction dialogue of the film very interesting, having four people playing cards and casually joking about their ex-husbands and ex-wives.

And now I must admit that I fell in love with Robert Montgomery today. He is just swell in this film. And even though I was quite charmed by Chester Morris in Red-Headed Woman, his character in The Divorcee is too proud not to be annoyed with. Conrad Nagel is nothing I would turn down, neither, but his character is quite flat. Montgomery's self-confident Don Juan is more my type. In conclusion: with Montgomery in the lead, The Divorcee has a lot of eye-candy for a woman!

Ever seen Robert Montgomery, Chester Morris and Conrad Nagel play The Cocoanuts?

Quotes:

Jerry Bernard Martin: [slipping on a diamond ring] Oh, I couldn't think of accepting such a valuable gift!
Offscreen man: But, my dear, my feeling for you is purely platonic.
Jerry Bernard Martin: Really? I've heard of platonic love, but I didn't know there was such a thing as platonic jewellery.