Showing posts with label western. Show all posts
Showing posts with label western. Show all posts

Sunday, August 5, 2012

Il buono, il brutto, il male chauvinist


Eli Wallach as Tuco in The Good, the Bad and the Ugly (Sergio Leone, 1966).
One of my favorite shots of the whole movie.


Writing this, I just realized that Eli Wallach is still alive. At least according to IMDb and Wikipedia. The guy is like a century old! When he was born Abraham Lincoln was still just a twinkle in his father's eye, and Europe had not yet converted to Christianity. He's like that old!

Just a thought.

So I watched The Good, the Bad and the Ugly (Il buono, il brutto, il cattivo., 1966) with my beau yesterday, and it's as amazingly fudging awesome as ever. The obligatory goose bumps all over my arms when I heard the first tunes of "Ecstacy of Gold" teasing in the far background of the soundtrack, where of course present.

But I actually just wanted to share one tiny little observation with you all: If you are really, really perceptive... you might just spot a few women in this film! I know, it sounds totally ridiculous and unnecessary. But I can, off the top of my head, mention a total of three women that I managed to spot. Chronologically, here they are:

1)
In the very beginning, there is the wife and mother of a family. Remember her? She does of course not have any lines of dialogue. That's not necessary for putting the food on the table, is it? Apart from feeding her husband and the strange visitor, she faints when family is suddenly decimated.
...That's, like, it.


Woman 1.1

Woman 1.2


2)
The Bad One, Angel Eyes, needs to extract some information from... some woman. The only way to get that stupid bitch to talk is, of course, to beat her up a bit. It's her own fault, really - not being clever enough to sell out her lover before getting physically abused. Duh.

Look! Her character has a name. And several lines.


Maria: Is that you Bill? Bill!
Angel Eyes: Go on talking about Bill Carson.


 Woman 2.1

 Woman 2.2

Woman 2.3



3)
The Ugly, Tuco, and his men are looking for The Good One ("Bloooondiiiiieeeee!!!"), and a woman dares to speak up when a man is pressed for information:

- You leave him be, He doesn't know who rides every horse!"
- You stay quiet, old hen!

And of course, she had no clue about anything. The man with a gun in his face did have information. Stupid old hen, indeed.

Woman 3.1


Now, don't get angry with me. I realize that women were pretty much either breeding stock or prostitutes in the Wild West era, and to portray that society as egalitarian would be revisionism. But I don't really buy that there was only one woman in each village either, and that all women were peripheral in their existence.

And YES, I can watch these kinds of films as entertainment only, and I do. I don't need to analyze everything, especially not something as tiring as the portrayal of women in classical movies. But why is it a tiresome subject? Because it's such an obvious issue! You can not NOT notice the skewed gender roles in popular culture. But I'll leave it for now. Cheers, darlings of mine.




The theatrical trailer, where Lee Van Cleef is branded ugly. That's kind of mean.*


* Copy-pasta from IMDb's trivia page:


In the theatrical trailer, Angel Eyes is "The Ugly" and Tuco "The Bad," which is the reverse of their designations in the actual film. This is because the Italian title translated into English is actually The Good, the Ugly, the Bad, not The Good, the Bad and the Ugly, and the Italian trailer had "The Ugly" and "The Bad" in that order. When the trailer was transferred to English, The Ugly and The Bad were not reversed to coincide with the altered title, causing the incorrect designations. 


Monday, February 23, 2009

The Man From Laramie (1955)



The Man From Laramie

Director: Anthony Mann
USA 1955
104 min



He came a thousand miles to kill a man he'd never seen!

That's the tagline to the movie poster above, which explains the plot in broad outline.
Will Lockhart (James Stewart) arrives in Coronado, a little western town, to unload some supplies he's delivered to storekeeper Barbara Waggoman (the pretty girl-next-door Cathy O'Donnell). But delivering supplies is not Lockharts real intention - he is going to find the man who sold the Apaches the guns that killed his brother. And that man is going to pay in blood.


Will Lockhart and his eccentric partner Charles O'Leary (Wallace Ford).


But Lockhart seems to tumble across all other trouble there is - first he is blamed for trying to steal salt from the Alec Waggoman's estate (the cattle baron played by Donald Crisp), gets his mules shot and his wagons burnt down from his spoiled son Dave (Alex Nicol), and later on finds himself accused of killing the latter.
It all becomes a kerfuffle, and it gets no easier when he gets work on the Waggoman rival's ranch, the Half Moon owned by the strong and harsh woman Kate Canady (Aline MacMahon).



And, of course, a little love story takes place between engaged Barbara Waggoman and Will Lockhart, but a very subtle one. In fact it's a surprisingly non-cheesy one.


Scene: Will Lockhart arrives at scene of his brother's death.




This is a surprisingly "un-westerny" western. The plot is deeper than just a man starting gunfight to avenge someone, and the film is really absorbing. The characters are also well-made:

Will Lockhart: The man who seeks an unknown man to avenge his brother. (Alas, a classis main character in a western.
Alec Waggoman: The cattle baron who built his empire, the Barb, with his own hands, but when getting older realizes that he has to appoint an heir.
Dave Waggoman: Alec's only son, but too spoiled and ill-tempered to entrust the ranch.
Vic Hansbro: Working for Alec and keeping an eye on Dave so he doesn't get into trouble. Wants to take over the ranch he feels he deserves.
Barbara Waggoman: Engaged to Vic, and cousin to Dave and niece to Alec.
Kate Canady: Alec's rival and lost love. Owns a ranch called the Half Moon. A woman who has earned her wisdom from live herself.
Charles O'Leary: Will Lockharts partner in chrime. Appears here and there.

As you can see, this set-up promises a lot of drama and complication, not to say tension.
The Man From Laramie is a great and entertaining western I'm sure you'd like to see. Even if you don't like westerns, see it for James Stewart!





Quotes:


Alec Waggoman: I'm Alec Waggoman of the Barb. What's the reason for this?
Will Lockhart: Ask your son!
Alec Waggoman: I'm asking you.
Will Lockhart: All right, go out to the salt lagoons, and you'll see twelve dead mules and three burnt wagons. They belong to me!
Alec Waggoman: Nobody asked you to come here.
Will Lockhart: Well, I'm here, Mr. Waggoman, and I'm gonna stay here and this town better get used to the idea!

Will Lockhart: This is the most unfriendly country I've ever been in. Why is everybody so touchy?
Barbara Waggoman: It's a one man country and Alec Waggoman's the man.

Will Lockhart: [having a wound dressed] Have you done this before?
Kate Canady: I've patched up bullet holes in places I wouldn't like to mention.

Will Lockhart: You're nice to look at.
Barbara Waggoman: But I'm not even pretty!
Will Lockhart: Well, I guess I have seen prettier girls in dance halls, but... you're sort of beautiful, I should say.
Barbara Waggoman: That's the kindest thing anyone has ever said to me!

Will Lockhart: Where'd an Indian get a rifle like that?
Frank Darrah: He don't say. I don't ask.






Theme song: Jimmy Young with The Man From Laramie, 1955.