Being in a mad mood, I tried cheering myself up by hunting for celebrity pictures of the more personal sort. I found a couple of new ones I had not seen before, some of them apparently shot by Yul Brynner. (I say "apparently", since I have trouble finding the sources of the photographs and I am damaged by university studies.)
Here are some of my finds. They actually got me into a slightly better mood.
Audrey Hepburn by Yul Brynner.
Audrey Hepburn.
Audrey Hepburn.
Ava Gardner.
Buster Keaton.
Clark Gable, Cary Grant, Bob Hope and David Niven.
"Everybody wants to be Cary Grant. Even I want to be Cary Grant."
Cary Grant - the famous lover and gentleman. Always sophisticated, sarcastic, well-mannered and upright with an accent hard to place (being born in England and living in America). Named the second greatest male star of all time by AFI (placed between number one Humphrey Bogart and third place James Stewart). Having starred in legendary films like The Philadelphia Story (1940), His Girl Friday (1940), Hitchcock's Notorious (1946), To Catch a Thief (1955) and North by Northwest (1959). It is now his time to appear in a post specifically dedicated to him.
Born Archibald Alexander Leach in Bristol, England 1904, Grant had a difficult childhood as an only child in a middle-class family. When he was nine his father placed his mother in a mental institution. The reason for her insanity began with a never overcome depression after having lost an earlier born child. Grant did however not know until he was in his late twenties that his mother was still alive and institutionalized, since being told as a child of nine that his mother had gone away on a "long holiday" at a seaside resort.
When Grant was 14 he was kicked out from school. He lied about his age and forged his father's signature to join the "Bob Pender stage troop", following the comedy troop on tour to the United States. In the group he was a stilt walker for two years. When the group was heading back to England, Grant stayed to perform on stage. He appeared in several stage shows, still under his birth name Archibald Leach.
After some success in light Broadway comedies he had chosen a stage name: Cary Lockwood, after a character he had recently played. In 1931 he signed a contract with Paramount Pictures, but they wanted him to change hos stage name. "Cary" was alright, but "Lockwood" had to go. After having looked through a list of preferred surnames he decided on "Grant". The initials CG had worked fine for two other great movie stars, Clark Gable and Gary Cooper. Cary Grant was therefore born.
In 1932 he played opposite Marlene Dietrich in Blonde Venus, and the year after his career rose when playing opposite the curvy Mae West in She Done Him Wrong and I'm No Angel. The two West-Grant films from 1933 were successes - She Done Him Wrong was nominated for a Best Picture Academy Award and I'm No Angel was a financial success - and saved Paramount Pictures from bancruptcy. The film studio was in other words more than delighted with Cary Grant, and cast him in several more pictures.
Cary Grant and Mae West in She Done Him Wrong (1933).
Cary Grant and Rosalind Russell in His Girl Friday (1940).
Cary Grant, director George Cukor and Katharine Hepburn.
Scene: Cary Grant uses the word "gay", probably for the first time in film history when referring to a homosexual, in Bringing Up Baby (1938). It is said that Grant forgot his real line and improvised that line!
Even though Cary Grant is mostly connected with comedy, he got to show his acting talents being thriller film genius Alfred Hitchcock's favourite actor. Beginning with Suspicion (1941) opposite Joan Fontaine, he moved on making three more Hitchcock films: Notorious (1946) with Ingrid Bergman and Claude Rains. To Catch a Thief (1955) with Grace Kelly (later Princess of Monaco). North by Northwest (1959) with Eva Marie Saint and James Mason.
Cary Grant as Roger O. Thornhill in North by Northwest (1959).
The silhouettes of Alfred Hitchcock and Cary Grant.
By this time, at the height of his success, Grant began to tire of making movies. He made a romantic suspence-comedy with Audrey Hepburn in 1963, Charade, but that would be one of his last films. When he had his first daughter in 1966, aged 62, he stopped making movies and instead became a father full time. During the years to come he refused job offers from directors like Howard Hawks, Billy Wilder and Stanley Kubrick.
Ingrid Bergman and Cary Grant. Aren't Swedish women the greatest?
Grace Kelly and Cary Grant in later years.
Cary Grant was married five times between 1936 and the year of his death by cerebral hemorrhage in 1986. In 1970 he received an Honorary Academy Award for life time achievement.
Interesting trivia is that Cary Grant donated his entire fee for The Philadelphia Story (1940) to the British war effort, and his fee for Arsenic and Old Lace (1944) to the U.S. war relief fund. That was $150 000 respectively $100 000.
Film clip: Cary Grant's speech at the Academy Awards. What a great man he was.
Personal quotes:
I think making love is the best form of exercise.
I've often been accused by critics of being myself on-screen. But being oneself is more difficult than you'd suppose.
I pretended to be somebody I wanted to be until finally I became that person. Or he became me.
My formula for living is quite simple. I get up in the morning and I go to bed at night. In between, I occupy myself as best I can.
Divorce is a game played by lawyers.
I improve on misquotation.
To succeed with the opposite sex, tell her you are impotent; she can't wait to disprove it.
Brick (played by blue eyed Paul Newman) is an alcoholic ex-football player with a broken leg, who has a (for a start) unexplicable disgust for his devoted wife Maggie (Elizabeth Taylor). The location is Brick's parents' home, were his cancer sick father, Big Daddy (Burl Ives), is celebrating his 65th birthday. With them is also the family of Brick's brother, a pregnant and infiltrating wife with plans to take over the mansion, and five poorly raised children.
I recently read that both Lana Turner and Grace Kelly were considered to play the role of Maggie. I'm just happy that they made the right choice - Taylor, with her childlike voice and feminine body, is like a devil in disguise. You don't really know were she stands, which is brilliant for a chamber drama like this, with intence mood and an escalating plot. The consideration for the role of Brick is just laughable when you have seen Newman in the film. (Even if you haven't, it is still bizarre.) Elvis. Yes, Elvis Presley. I'm glad his "Colonel" said no. Newman as Brick is beyond criticism - he is just perfect.
Paul Newman - criminal sexy.
Scene: Brick and Maggie have a marital argument.
The script is based on Tennesse Williams' play from 1955. He was so disappointed in the movie adaption that he stated that "this movie will set the industry back 50 years. Go home!". It is not difficult to see why the writer, the creator, was disappointed when you consider the fact that a large piece is missing from the original script - the reference to Brick's homosexuality. The removal of that part not only made Paul Newman very disappointed, the originally planned director George Cukor also turned down the job because of it. However, at the time it almost wasn't possible to have anything like that in the movie, due to the Hollywood Production Code.
Tennesse Williams had Burl Ives in mind when writing the role of Big Daddy.
Despite the homosexuality part missing, this film may be one of the greatest dramas made in Hollywood during the 1950's. You get sucked into the intrigue directly in the introduction scene. The dialogue is brilliant (but we are talking about Tennesse Williams, so who would be surprised?), the actors are at their peakes (even though, at the time, the audience were sceptical to Burl Ives, the folk singer) and the tension between the characters rises at the speed of light. When the movie ended, both me and my friend Elenova were shivering. And this after seeing it about ten times!
The glorious Liz Taylor.
Quotes:
Brick Pollitt: What is the victory of a cat on a hot tin roof? Maggie Pollitt: Just staying on it I guess, long as she can.
Brick Pollitt: I don't have to do anything I don't want to! Now, you keep forgetting the conditions on which I agreed to stay on living with you. Maggie Pollitt: I'm not living with you! We occupy the same cage, that's all.
'Big Daddy' Pollitt: Let's go home. 'Big Momma' Pollitt: Don't you want to ride with the children, honey? 'Big Daddy' Pollitt: No! 'Big Momma' Pollitt: [laughing] He's his sassy old self again, all right! 'Big Daddy' Pollitt: Be quiet, woman!
'Big Daddy' Pollitt: You won't live with mendacity? Well, you're an expert at it! The truth is pain and sweat and payin' bills and makin' love to a woman that you don't love any more. Truth is dreams that don't come true, and nobody prints your name in the paper 'til you die.
